Biography
Alphabetical
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Alphabetical List of Faculty
Steven Adler, Stage Management
Kristin Arcidiacono, Dance
Eva Barnes, Acting
Andrei Both, Design
Alan Burrett, Lighting Design
Tony Caligagan, Dance
Robert Castro, Directing & Acting
Jim Carmody, PhD
Liam Clancy, Dance
Frantisek Deak, Emeritus
Judith Dolan, Design
Kyle Donnelly, Acting
Deb Dryden, Emeritus
Sandra Foster-King, Dance
Athol Fugard, Emeritus
Eric Geiger, Dance
Nadine George Graves, PhD
Allyson Green, Chair, Dance
Mark Guirguis, Design
Allan Havis, Playwriting
Jorge Huerta, Emeritus
Jean Isaacs, Emeritus
Jim Ingalls, Design
Naomi lizuka, Playwriting
Walton Jones, Emeritus
Tara Knight, Design
Margaret Marshall, Emeritus
Marianne McDonald, PhD
Ursula Meyer, Acting
Charles Means, Stage Management
Charlie Oates, Acting
Victoria Petrovich, Design
Lisa Porter, Stage Management
Ron Ranson, Emeritus
Alicia Rincon, Dance
Patricia Rincon, Dance
John Rouse, PhD
Emily Roxworthy, PhD
Kim Rubinstein, Acting
Todd Salovey, Acting
Tonnie Sammartano, Dance
Jonathan Saville, Emeritus
Amy Scholl, Acting
Adele Shank, Emeritus
Ted Shank, Emeritus
Judy Sharp, Dance
Janet Smarr, PhD
Alison Dietterle Smith, Dance
Yolande Snaith, Dance
Gabor Tompa, Directing
Darko Tresnjak, Directing
Linda Vickerman, Acting
Arthur Wagner, Emeritus
Les Waters, Emeritus
Terry Wilson, Dance
Gregory Wallace, Acting
James Winker, Acting
Shahrokh Yadegari, Design
In Memoriam
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Nadine George-Graves
office: Galbraith Hall 302
email: ngeorge@ucsd.edu |
Biography |
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Dr. Nadine George-Graves's work is situated at the intersections of African American studies, women’s studies, performance studies, theatre history, and dance history. She is the author of The Royalty of Negro Vaudeville: The Whitman Sisters and the Negotiation of Race, Gender, and Class in African American Theater, 1900-1940 (St. Martin’s, 2000), and Urban Bush Women: Twenty Years of Dance Theater, Community Engagement and Working It Out (Wisconsin UP, forthcoming). She has also written on primitivity, ragtime dance, early African American theater and the future of field. She has served on the Executive Boards of both the Society of Dance History Scholars (SDHS) and the American Society for Theater Research (ASTR). She has also served on the editorial board of SDHS. Her recent creative projects include Suzan-Lori Park’s Fucking A and Topdog/Underdog; Second Sites: Tales of Alternate Routes; and Anansi The Story King, a dance-theater adaptation of African American folk stories using college students, professionals, and 5th graders. |
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