Biography
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Alphabetical List of Faculty
Steven Adler, Stage Management
Kristin Arcidiacono, Dance
Eva Barnes, Acting
Andrei Both, Design
Tony Caligagan, Dance
Robert Castro, Directing & Acting
Jim Carmody, PhD
Liam Clancy, Dance
Mary Corrigan, Emeritus
Frantisek Deak, Emeritus
Judith Dolan, Design
Kyle Donnelly, Acting
Deb Dryden, Emeritus
Sandra Foster-King, Dance
Athol Fugard, Emeritus
Floyd Gaffney, Emeritus
Eric Geiger, Dance
Nadine George, PhD
Allyson Green, Dance
Mark Gurigus, Design
Allan Havis, Playwriting
Jorge Huerta, PhD
Jean Isaacs, Emeritus
Jim Ingalls, Design
Naomi lizuka, Playwriting
Walton Jones, Emeritus
Margaret Marshall, Dance
Marianne McDonald, PhD
Ursula Meyer, Acting
Charlie Oates, Chair & Acting
Victoria Petrovich, Design
Lisa Porter, Stage Management
Ron Ranson, Emeritus
Alicia Rincon, Dance
Patricia Rincon, Dance
Kim Rubinstein, Acting
John Rouse, PhD
Emily Roxworthy, PhD
Kim Rubinstein, Acting
Todd Salovey, Acting
Tonnie Sammartano, Dance
Jonathan Saville, PhD
Amy Scholl, Acting
Adele Shank, Emeritus
Ted Shank, Emeritus
Judy Sharp, Dance
Janet Smarr, PhD
Alison Dietterle Smith, Dance
Yolande Snaith, Dance
Gabor Tompa, Directing
Darko Tresnjak, Directing
Linda Vickerman, Acting
Arthur Wagner, Emeritus
Les Waters, Emeritus
Terry Wilson, Dance
James Winker, Acting
Shahrokh Yadegari, Design
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Janet Smarr
office: Galbraith Hall 225
email: jsmarr@ucsd.edu |
Biography |
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JANET LEVARIE SMARR (Ph.D., Princeton University), head of the Ph.D. program, received her doctorate in Comparative Literature with a special focus on the Renaissance. After a year at Harvard as a Mellon Faculty Fellow, she taught for twenty years in the Comparative Literature and Italian Programs at the University of Illinois in Urbana-Champaign before moving to UCSD. Her publications include: Italian Renaissance Tales (winner of the American Assoc. of Italian Studies Best Translation Award), Boccaccio and Fiammetta: The Narrator as Lover, Boccaccio's Eclogues, and Joining the Conversation: Renaissance Dialogues by Women, along with dozens of articles on Italian writers of the 14th-17th centuries, relations between Renaissance writing and the Latin classics, and French and Italian women's writing in the 16th century. She has edited or coedited volumes of essays on Historical Criticism and the Challenge of Theory and Italian Women and the City, and has served on the editorial boards of the journals Italian Culture and Italica. She currently teaches seminars on Italian comedy, madness in Renaissance culture and drama, and women in European theatre before 1700. She is also part of the intedepartmental Italian Studies Program. |
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