Issue #1 (Spring 1992) (top)


Articles:
"Al Warsha in Cairo." Laura Farabough "The Atrocities of Les Atrides: Mnouchkine's Tragic Vision." Marianne McDonald
"Sledgehammer Theatre, San Diego." Allan Havis
"Bobby Baker: Master Chef of Performance Art." Adele Edling Shank
"Cherrie Moraga's Heroes and Saints: Chicano Theatre for the 90s." Jorge Huerta
"Changing Worlds: A Discussion with Alex Darie, Barney Simon, and Lev Dodin."
"On Gaudeamus." Kimberly Fisk
"Mimos in Perigueux." Frantisek Déak
"Festivals, Who Needs 'Em?" Ritsaert ten Cate

Interviews:

"Mac Wellman on 7 Blowjobs." Allan Havis "
Athol Fugard: Regionalism, Cultural Diversity, and Other Matters." Floyd Gaffney

Scripts:

7 Blowjobs. Mac Wellman

Gaudeamus. Maly Drama Theatre


Issue #2 (Fall 1992)
(top)


Articles:
"GWAR: America Must Be Destroyed." Roger Nieboer
"The Menace of the Eumenides: Midnight Madness in Montpellier." Marianne McDonald
"SOON 3: Asylym (Red)." Alan Finneran
"José Rivera's Marisol: A Production History." José Rivera, Michael Bigelow Dixon, Tina Landau, and Robert Blacker.
"The Flight from Spectacle: To Australia and Back." John Fox
"Soup Lines and Kick Lines: The New Economics of Polish Theatre." Michael Hackett
"Wim Vandekeybus and Always the Same Lies." Theodore Shank
"Violently Awake! Anne Bogart Directing The Women." Todd Salovey
"On Gloria and A Judgement in Stone" Simon Mellor
"NADA Theatre's UBU: A Photo Documentary." Adele Edling Shank, Photos by Theodore Shank

Scripts:

Marisol. José Rivera
A Judgement in Stone, A Musical Thriller. Maly Drama Theatre


Issue #3 Spring 1993
(top)


Articles:
"Laura Farabough: Director, Scenographer, Writer." Jim Carmody
"Cultural Transformations: Non-European Imports to British Theatre." Jatinder Verma "The Obsessions of Stefan Schütz." Johnathan Kalb
"Professionalizing Teatro: An Overview of Chicano Theatre During the 'Decade of the Hispanic.'" Jorge Huerta
"Arbeit Macht Freiin Toitland Europa." Dan Urian
"Pomo Afro Homos and the Emergence of a Voice." John Godfrey
"Rhodessa Jones' Cultural Odyssey." Manu Mukasa
"The Jim Rose Circus Sideshow." Roger Nieboer

Interviews:

"George Coates and Virtual Reality." Scott Rosenberg
"Physical Risk and Emotional Vulnerability: Lloyd Newson and DV8 Physical Theatre." Theodore Shank

Scripts:

Bodily Concessions. Laura Farabough
Orestesobsession. Stefan Schütz, translated by Johnathan Kalb

Issue #4 Winter/Spring 1994
(top)


Articles:

"Marga Gomez: Resistance from the Periphery. " Roberta Uno
"The Madness That Makes Sane: Mania in Tadashi Suzuki's Dionysus." Marianne McDonald
"Casino Pow Wow." Roger Nieboer
"Théâtre du Radeau: Chant du Bouc." Jeannette Mohr
"Tight Right White: A Poetic Work of Mourning." Philippa Wehle
"Collaborating Offshore." Joan Holden
"B/W Glossies, Color Slides, and Video Tape - Images of Theatricality." Jim Carmody

Interviews:
Erik Ehn. Adele Edling Shank
"Reza Abdoh and Tight Right White." Philippa Wehle

Scripts:
From The Saint Plays. Erik Ehn
Tight Right White. Reza Abdoh


Issue #5 Summer/Fall 1994
(top)


Articles:

"Count Your Blessings: Chaos Theory on Stage in the Netherlands." Claudia Harris
"The Possibility of Story: The Performance Works of Noëlle Janaczewska." Kathryn Millard
"Theatre of Nowhere: Staging Slovak Identities." Milos Mistrik
"Matt and Mee: An Introduction to The War To End War." Elissa Adams
"Fantasizing About Chuck Mee." Matthew Wilder
"Gang Warfare: A Voyeur's History of the House of Atreus." D.J. Hopkins
"On Prospect." Nakissa Etemad

Interviews:
"Joe Goode's Performance Lifestyle." Theodore Shank

Scripts:
The History of Water / Huyen Thoai Mot Giong Nuoc. Noëlle Janaczewska
The War To End War. Charles L. Mee, Jr.
Prospect. Octavio Solis


Issue #6 Winter/Spring 1995
(top)


Articles:

"Meryl Tankard's Australian Dance Theatre." Adrian Kiernander
"Wigwams on the Rhine: Race and Nationality on the German Stage." Katrin Sieg
"Tracking Twilight: The Politics of Location." Janelle Reinelt
"CASEBOOK: Ron Athey." Compiled by Adele Edling Shank
"Isabelle Huppert Becomes Orlando." Article and Interview by Maria Shevtsova
"Theatre de Complicité: An Appreciation." Rush Rehm

Interviews:

"Interview with Snoo Wilson." Adele Edling Shank
"Interview with Dominic Dromgoole." Theodore Shank

Scripts:
Darwin's Flood. Snoo Wilson
Orlando. Extracted and Arranged by Darryl Pinckney and Robert Wilson


Issue #7 Summer/Fall 1995
(top)


Articles:
"Low Art in Blue Lake: The Dell'Arte Players." Beverly Hanly
"Orlan's Theatre of Operations." Philip Auslander
"Teatro Valdoca: Ossicine." Arthur Carson and Sydney Carson
"Naked in Pants: Drag Artist Charles Busch." Richard Niles
"In the Dust...Before the Sunrise?" Daria Krizhanskaya
"Ethnic Loyalty and Expanded Time: An Introduction to Voir Dire." John Godfrey

Interviews:

"Sounding the Alarm: Julie Hebert Interviews Darrah Cloud."

Scripts:

Enola / Alone. Chris Hardman, Antenna Theatre
The Sirens. Darrah Cloud
Voir Dire. Joe Sutton


Issue #8 Winter/Spring 1996
(top)


Articles:

"The New Stage of Chinese Theatre." Cheung Fai
"Werner Schwab's Feces Dramas and De Trust." Susan Mason
"Robert Lepage's Seven Streams of the River Ota." Philippa Wehle
"From Büchner's Skin to Naomi's Skin." Matthew Wilder
"In Zambia, Performing the Spirits." Thomas Riccio
"Cross-Cultural Performance in a Globalized World." Baz Kershaw
"Thinking Originally: An Introduction to Real Original Thinker." Volker Schachenmayr
"The Making of Zumbi." Shango Baku

Interviews:

"Mau Sen on File 0." Theodore Shank
"Creating Skin: An Interview with Naomi Iizuka." Gregory Gunter

Scripts:

File 0. Conceived and Directed by Mao Sen. Prepared and Translated by Cheung Fai
Skin. Naomi Iizuka
Real Original Thinker. Laura Farabough, Text Edited by Jim Carmody


Issue #9 Summer/Fall 1996
(top)


Articles:

"Devouring Lesbian Bodies: Aerial Desire in Club Swing's Appetite." Peta Tait
"Theodoros Terzopoulos: Theatre of the Body." Marianne McDonald
"The Shape of the Past: Suzan-Lori Park's Venus." Tom Sellar
"Bay Area Playwrights Festival." Laura Farabough
"Cultural Routes Across the Arab World." A Panel Discussion
"TForum: Tony Kushner's Humana Award Acceptance Speech."

Interviews:

"Staying Alive: An Interview with Patrece Chereau." David Bradby
"Twisted Pairs: George Coates Interviewed." by His Virtual Audience
"Making History: An Interview with Suzan-Lori Parks." Tom Sellar

Scripts:

Venus. Suzan-Lori Parks
Trying to Find Chinatown. David Henry Hwang


Issue #10 Winter/Spring 1997
(top)


Articles:

"Grupo Galpão: A Brazilian Street Theatre." Barbara Heliodora
"Richard Foreman as Scenographer." Arnold Aronson
"Sasha Waltz and Guests: Travelogue." Sandra Luzina
"N!ngongaio: People Come Out of Here, Making a new story with the !Xuu and Khwe Bushmen." Thomas Riccio
"The American West Inspires Tanztheater Wuppertal." Shelley Orr
"Teatr Biuro Podrozy from Poland: Mystery Plays for the 21st Century." Roman Pawlowski
"TForum: Will Dance For Food."

Interviews:

"Rent: Uptown and Downtown, An Interview with Michael Greif." Theodore Shank
"A Conversation with Matthias Schmiegelt." Laura Farabough
"Working with Pina Bausch: A Conversation with Tanztheater Wuppertal." Faynia Williams
"Design and Collaboration: an Interview with Peter Pabst." Theodore Shank

Scripts:

The Universe. Richard Foreman
Nur Du (Only You). A Piece by Pina Bausch, introduction by Laura Farabough


Issue #11 Summer/Fall 1997
(top)


Articles:

"Sacred Naked Nature Girls." Meiling Cheng
"Hurricaine: A Journal in Three Short Chapters." Erin Cressida Wilson
"Beckett's Cyborgs: Technology and the Beckettian Text." David Z. Saltz
"Scottish Theatres Run by Women." Mark Fisher
"Len Jenkin: A Landscape of Language." Shelley Orr
"Tailings: A Collaboration Between Erik Ehn and Smart Mouth Theater." Steven Cosson
"La Prière du Loup at the Scène nationale de Quimper." Eric Salzman
"TForum: Michael Kirby Remembered."

Scripts:

Hurricane. Erin Cressida Wilson
Like I Say. Len Jenkin


Issue #12 Winter/Spring 1998
(top)


Articles:
"Russian Theatre is Not a Time-Killer." John Freedman
"American Silents A Dramaturgical Collaboration with Anne Bogart." Heidi Coleman and Tamsen Wolff
"The Making of GO GO GO." Morgan Jenness
"Dressed, Undressed, Crossdressed, The Third International Gombrowicz Festival." Allen J. Kuharski
"Denis Marleau and His 'Spectacle-Collages'." Philippa Wehle
"Topographical Eden: An Introduction." Brighde Mullins
"Petr Lébl: Postmodern Sensibility, Modern Sense." Dennis C. Beck
"Chants Libres Presents Yo soy la desintigracion, Inspired by the Journal of Frida Kahlo." Eric Salzman
"TForum: Deliverance from Isolation: The International Women Playwrights Conference."

Interviews:

"Alias Compagnie of Geneva: An Interview with Choreographer Guilherme Botelho." Adele Edling Shank and Theodore Shank

Scripts:

GO GO GO. Juliana Francis
Topographical Eden. Brighde Mullins


Issue #13 Summer/Fall 1998
(top)


Articles:

"Purcarete's Theatre of Fear and Joy." Marian Popescu
"The Poetry of the Oppressed: Migdalia Cruz's Fur." Roberto Gutiérrez
"House of Stein." Ehren Fordyce
"Renovating The Chairs, Theatre de Complicité Stages an Absurdist Classic." David Whitton
"One More Wasted Year: Two Productions, Three Perspectives." Jim Carmody, Mireille Davidovici, Philippe Minyana
"Drowning in Dixie: The Maly Drama Theatre Plays Chekhov Untitled." Maria Shevtsova
"Dramaturgy of Desire: The Theatre of Naomi Wallace." Michael Bigelow Dixon
"Jean Genet's The Screens Directed by Peter Sellars." Michele Sigal
"Misunderstanding Los Biombos: A Response to Irresponsible Press." D.J. Hopkins
"Anna Deavere Smith's HOUSE ARREST: First Edition." Eva Wielgat Barnes
"Dominant Species: William Forsythe's Sleepers Guts." William Anthony
"'Com'è la tua isola?': The Living Theatre's Don Quixote." Danielle Amato
"TForum: Tim Miller's Visit to the Supreme Court."

Scripts:

Fur. Migdalia Cruz
The Trestle at Pope Lick Creek. Naomi Wallace


Issue #14 Winter/Spring 1999
(top)


Articles:

"Overlapping Worlds: The Builders Association and Jump Cut (Faust)." Philippa Wehle
"Brecht's Learning Plays: A Rehearsal Report on Robert Wilson's Ozeanflug at the Berliner Ensemble." Holger Teshke
"The Making of The Erotica Project." Erin Cressida Wilson
"Forces of History: An Introduction to The Berlin Circle." Michelle Volansky
"Who Is Moving Tokyo Downstage? Working on Kwaidan." Ariel Goldberger
"Erosion Through Time: The Rest is Not Silence, The Lithuanian Hamlet of Eimuntas Nekrosius." Brigit Beumers
"Ibsen's An Enemy of the People at the Thirty-fifth Berlin Theatertreffen." Richard Riddell
"The Theatre of Sabina Berman." Kirsten F. Nigro

Interviews:
"Enormous Joy: Les Ballets C. de la B.." Adele Edling Shank

Scripts:

The Berlin Circle. Charles L. Mee
Between Pancho Villa and a Naked Woman. Sabina Berman, translated by Shelley Tepperman


Issue #15 Summer/Fall 1999
(top)


Articles:

"Wrestling Body Translations of Whet Flesh." Peta Tait
"The Beautiful Sounds of Olga Mukhina." John Freedman
"Faust in Barcelona: Catalonia's La Fura dels Baus." Sharon G. Feldman
"Les Colporteurs' Filao." Sarita Rainey
CASEBOOK: Guillermo Gómez-Peña
Introduction by Theodore Shank
"Mexican Beasts, Holy Gang Members, and Webbacks." Guillermo Gómez-Peña
"The Politics of Identity in the United States of Aztlán: Pocha Mostra's Mexterminator Project." Lisa Wolford
Ravenshead: An Introduction
"The Paul Dresher Ensemble." Paul Dresher
"The Ravenshead Music." Steven Mackey
"The Crowhurst Story."
"Ravenshead Comes to Life: A Creative Process." Rinde Eckert
"The Dance Theatre of Jo Fabian: Blown Away, Pax Germania, and Prometheus." Jens Richard Giersdorf

Scripts:

The Love of Karlovna. Olga Mukhina, translated by John Freedman
Ravenshead. Libretto by Rinde Eckert, Music Composed by Steven Mackey


Issue #16 Winter/Spring 2000
(top)


Articles:

"Writing for the New French Théâtre d'Art: The Example of Didier-Georges Gabily (and one or two others)." Michael Sadler
"Pascal Rambert's Race in Los Angeles and Paris." Susan Mason and Barbara Mason
"Mabou Mines in Mexico: Las Horas de Belén." Julie Bleha
"Weathering the Storm: Cuba's Teatro Escambray at 30." Judith Rudakoff
"War and Ash at La Scala: Lev Dodin Rehearses Mazepa." Maria Shevtsova
Interviews:
"A Dramaturg, A Playwright, A Director: Michael Bigelow Dixon talks with Arthur Kopit and Bob Balaban about Y2K"

Scripts:

Race. Pascal Rambert, translated by Michael Sadler
Y2K. Arthur Kopit
La Paloma Negra/ The Black Dove. Rafael Gonzalez Rodriguez


Issue #17 Summer/Fall 2000
(top)


Articles:

" The Changing Space of Russian Theatre" John Freedman
"This was like a thousand years ago...': Remembering The Plays of Naomi Iizuka" Danielle Amato
"Opium: Intercultural Performance in Seattle and Tokyo" Stephen Weeks
" Code-switching Elizabeth: Performing in English and Japanese" Robyn Hunt
"Toby Gough & Theatrum Botanicum, Kenya" Mark Fisher
"Dusan Kovacevic: The Balkan Conscience" Dennis Barnett
"Premature Synthesis: Temporary Closure for End-Of-Century Inventory" Patrice Pavis
"Frank Castorf's Deconstructive Storytelling: Sartre's Dirty Hands at the Volksbühne" John Rouse

Scripts:

Language of Angels. Naomi Iizuka
The Tragedy of Youth Dusan Kovacevic. Larry Thompson


Issue #18 Winter/Spring 2001
(top)


Articles:

"Noise and Nudity: Kyoto's dumb type" Cynthia Gendrich and Woodrow Hood
"It's a Nightmare, Really. The Radical Appropriations of Charles L. Mee" D.J. Hopkins and Shelley Orr
"We Shall Be Monsters: The Performance Technology Research Laboratory" Matthew Causey
"Krystian Lupa's Theatre: On Cirrhosis of the Conscience" Elzibeta Baniewicz
"The Frog Queen: A German (Anti) Fairy Tale" Claudia Wilsch
"Rich Maxwell: Dramatizing the Mundane" Philippa Wehle
"Scarlet Theatre" Geraldine Cousin
"Antunes Filho: Fifty Years Cultivating a Beginner's Mind on the Stage" Claudia Tatinge Nascimento

Scripts:

Big Love, or, The Wedding of the Millennium. Charles L. Mee
The Frog Queen: A Kitchen Tale. Kerstin Specht, translated by Claudia Wilsch
Luscious Music. Matthew Maguire


Issue #19 Summer/Fall 2001
(top)


Articles:

"Alexander Bakshi and His Mythological Theatre of Sound: A Dialogue between Alexander Bakshi and Lyudmia Bakshi" John Freedman
"Dossier: Werewere Liking's Singuè Mura: Considèrant que la femme...[Given that a woman...]" Judith G. Miller
"El Teatro Campesino: The Next Generation" Jorge Huerta
"The Paradox of Prague's Divadlo Archa: Interculturally Czech" Gwen Orel
"Casebook: In the Penal Colony: Commission, Collaboration, Coproduction" Liz Engelman and Celise Kalke
"Moving Forward: An Interview with Melanie Marnich" Danielle Amato
"Silence and Samurai: Suzuki Tadashi and Greek Tragedy" Marianne McDonald
"Oguri and Renzoku" Meiling Cheng

Scripts:

Singuè Mura: Considèrant que la femme.... Werewere Liking, translated by Judith G. Miller
Quake. Melanie Marnich


Issue #20 Winter/Spring 2002
(top)


Articles:

"Making Music Visible: The Theatrical Work of Carlos Santos" Maria Delgado
"Shifting Boundaries and Crossing Borders" Judith Rudakoff
"Imagination that Beggars Description: Mac Wellman's Worlds" Amy Wegener
"From a Work-in-Progress: On Negligible Perfection" Mac Wellman
"Irish Odysseys: Mikel Murfi's Theatre of Perspective" Christopher Berchild
"Nouveau Chinese Opera in Hong Kong" Joan Holden with Dan Chumley
"Comedy for These Urgent Times: Culture Clash in America" Antonia Grace Glenn
"Peter Brook on the Craft of Directing" Interview by Faynia Williams
"Removing the Period from Period Drama: An Introduction to Schadenfreude" Carlos Murillo

Scripts:

Description Beggared; or the Allegory of WHITENESS. Mac Wellman
Schadenfreude Carlos Murillo

 

Issue #21 Summer/Fall 2002 (top)


Articles:

"Athol Fugard's Sorrows and Rejoicings" Marianne McDonald
"Dreaming the Same Dream: Kevin Oakes and Michael Counts Discuss Making So Long Ago I Can't Remember"
"What's Fiction When You Have Real Life? Ping Chong's Undesirable Elements Project" Philippa Wehle
"Societas Raffaello Sanzio: The Shame of Theatre, History of a Theatre Company in Five Points" Luca Scarlini
"You're Watching Me: Marga Gomez's Queer Self-Representation" Gretchen Sauer
"The Pleasure of Motion: The Theatre of Caridad Svich" Matthew Maguire
"Enduring and Transforming: DAH Teatar and 7 Stages' Maps of Forbidden Remembrance" Leigh Clemons
TForum: "Ahistoricity, Multiplicity, and Velocity: Radical Discontinuity and its Effect on the Dramaturgical Process" Brad Rothbart

Scripts:

Fugitive Pieces Caridad Svich
So Long Ago I Can't Remember; A Divine Comedy Kevin Oakes

 

Issue #22 Winter/Spring 2003(top)


Articles:

"Sasha Waltz and her Dances of Life, Death, and Spirit" Theodore Shank
"Blazing Angel: Ruth Margraff" Caridad Svich
"Crossings: A Communal Journey of Catholic Immigrants Across Los Angeles" Yuko Kurahashi
"Between Longing and Despair: The Plays of Theresia Walser" John Rouse
'"A Certain Music:" Francon Revisits Vinaver's Les voisin" Jim Carmody
"Am I Mad? Creating The Al-Hamlet Summit" Sulayman Al-Bassam
TForum: "Eat, Drink, LIFT: Reflections on the Festival" Nicholas Ridout

Scripts:

Judges 19: Black Lung Exhaling
Ruth Margraff (Music CD included)
Savior of Potsdam Theresia Walser (Translated by Claudia Wilsch)
The Al-Hamlet Summit Sulayman Al-Bassam (Music and Media CD Included)


Issue #23 Summer/Fall 2003(top)

Articles:

"Tearjerkers and Mindgames: About Emil Hrvatin's Theatre Work" Luk Van den Dries
"Epic Ragtime Soul Music, the Legacy of Slavery: Oliver Mayer's Ragged Time" Scott Horstein
"The Theatrical Labyrinths of Maria Morett" Deborah Saivetz
"Songs from the Between: Wishhounds Theatre's Blue Sky Transmission, a Tibetan Book of the Dead" Lisa Wolford
"Do you Speak/Heaer/See Danish? Primo 2002, the Second Biennial Nordic Dance Festival" William Anthony
"Who's Dreaming Whom? Pig Iron's Shut Eye" Amy Cook
"A God, a Thermos, a Play: Elevator Repair Service Tackles Euripides' Bacchae" Julie Bleha
"Notes on K.I. from "Crime" John Freedman
"Company Drift's Machine à sons " Patricia Rincon

Scripts:

Mujeres enel Encierro (Women in Confinement) Maria Morett, translated by Deborah Saivetz
Shut Eye Joseph Chaikin and The Pig Iron Theatre Company, Text by Deborah Stein, Music by James Sugg
K.I. from "Crime" Daniil Gink, translated by John Freedman

 

Issue #24 Winter/Spring 2004(top)

Articles:

"Straight into the Body: Handmade Technology and the Akhe Group's White Cabin" Cynthia Gendrich
"Living under Tibi's Law" Robert Cohen
"Brazil's Teatro da Vertigem: Fall as Creation" Claudia Tatinge Nascimento
"But All the World is Deaf: Theatre Bazi's Production of The Mute Who Was Dreamed" Jane Frere
"On Fair Game" Karl Gajdusek
"Impossible Things Are Happening Every Day: Medea/Macbeth/Cinderella at the Yale Repertory Theater" Mark Bly
"Number Eleven Theatre's The Prague Visitor: A Journey Into a Canadian Company's Creative Process" Virginie Magnat


Scripts:

Tibi's Law Jean Verdun, translated by Robert Cohen with David Carroll
Fair Game Karl Gajdusek


Issue #25 Summer/Fall 2004 (top)

List of Contents
Issue Number #25

• Editor’s Note • John Rouse
• Principles and Pragmatism in Political Theatre: David Edgar's Continental Divide • Janelle Reinelt and Gerald Hewitt
• Chinese Peformance Artists: Redrawing the Map of Chinese Culture • Carla Kirkwood
• Euripides' Children • Caridad Svich
• SCRIPT: Iphigenia Crash Land Falls On The Neon Shell That Was Once Her Heart (a rave fable) • Caridad Svich
• Tales of Bemused Alienation: The Phenomenon of Dejvické Divaldo in Prague • Stepan Simek
• Anne Teresa De Keersmaeker: Dance Becomes Theatre • Royd Climenhaga
• CASEBOOK: Rothchild's Fiddle
• On Producing Rothchild's Fiddle • Mark Bly
• Translating Ginkas Transforming Chekhov • John Freedman
• SCRIPT: Rothchild's Fiddle • Kama Ginkas Translated by John Freedman
• Horse + Bamboo's Company of Angels • Lesley Ferris
•TForum: Staging 11 September 2001 in the United States • Patrice Pavis Translated by Jim Carmody


Issue #26 Winter/ Spring 2005 (top)

List of Contents
Issue Number #26

• Editor’s Note • Jim Carmody
• "Frantic Assembly" • Aleks Sierz
• "Calixto Bieito: A Catalan Director on the International Stage" • Maria Delgado
• "Billy the Kid Reappears in New Mexico"• David R. Jones
• "The Voyeutism of Consent: An Introduction to A Human Interest Story (or The Gory Details and All)" • Carlos Murillo
• SCRIPT: A Human Interest Story (or The Gory Details and All)• Carlos Murillo
• "Struggling to Perform: Radical Amateurism and Forced Entertainment" • Sara Jane Bailes
• "Bill of (W)Rights" • Liz Engelman and Michael Bigelow Dixon
• SCRIPT: Freedom of Speech • Jeffrey Hatcher
• SCRIPT: The Right to Remain • Melanie Marnich
• SCRIPT: Amendment 10 • Jeffrey Hatcher
• "'Inside Out:' The Creative Process of Shared Experience Theatre"• Kristin Crouch
•TForum: "A Tear in the Fabric" • Mark Ravenhill

 

.

Issue #27 Summer/ Fall 2005 (top)

List of Contents
Issue Number #27

  • Editor’s Note • Adele Edling Shank
  • "Cynthia Hopkins, Accidental Nostalgia" by Judy Bauerlein
  • "Boris Yukhananov, The Tale of an Upright Man" by John Freedman
  • "Roland Schimmelpfennig: Experiments in Dramatic Structure" by Melanie Dreyer
  • SCRIPT: Woman From the Past by Roland Schimmelpfennig
  • "Olivier Py, an Example: Subsidised Theatre in France Today" by Annabel Poincheval
  • "Olivier Py: an Interview" by David Bradby and Annabel Poincheval
  • "Yang Qian, Shenzhen Playwright" by Mary Ann O'Donnell
  • SCRIPT: Neither Type Nor Category by Yang Qian
  • "Refracted Televisual Reflection: Genet's The Maids, Television, and Validating Performed Identities" by Raimondo Genna
  • "A Wild Man of the Theatre: Josh Fox and His International WOW Company" by Philippa Wehle
  • SCRIPT: The Expense of Spirit by Josh Fox
  • TForum: "Re-Mapping Latino Theatre: American Playwrights on the Edge of the Edge" by Caridad Svich

     

Issue #28 Winter/ Spring 2006 (top)

List of Contents
Issue Number #28

•  Editor's Note • Theodore Shank
•  “Théâtre du Soleil's Le dernier caravansérail (Odysées) : Narratives of Home and Displacement” by Claudia Tatinge Nascimento
•  “Karen Zacarías: An interview with Caridad Svich” by Caridad Svich
•  SCRIPT: Mariela in the Desert by Karen Zacarías
•  “Shogo Ohta's Slow Tempo and Silence in The Water Station ” by Ellen Orenstein
•  “An Introduction to Cathay: Three Tales of China ” by Ping Chong
•  SCRIPT: Cathay: Three Tales of China by Ping Chong
•  “ L'Archange: oper'installation , a Production by Chants Libres” by Patrick Mathieu
•  “Fragments of a Life: Performing History in Newington Green” by Lesley Ferris
•  “TForum: The Bridge Project, International Media and Performance Initiative” by Richard Foreman and Sophie Haviland
•  “TForum: Zomboid!” by Richard Foreman


Issue #29 Summer /Fall 2006 (top)

List of Contents
Issue Number #29

•  Editor's Note • Jim Carmody and Phil Howard
•  "Caden Manson and Big Art Group's House of No More: Creating Monsters for our Time" by Philippa Wehle
•  “The Aquatic Ape: An Introduction" by Joy Wilkinson
•  SCRIPT: The Aquatic Ape by Joy Wilkinson
•  “Iva Volankova's 3Sisters 2002.CZ at Rokoko Theatre: Emotion and Its Discontents in the Czech Theatre" by Stepan S. Simek
•  SCRIPT: Back of the Throat by Yussef El Guindi (with an introduction by the author)
• "Manufacturing Dreams: The Shape-Shifting Poetics of WaxFactory" by Jason Grote
•  “Tell the Truth, but Slant: Mat Smart's The Hopper Collection" by Ilana Brownstein
•  SCRIPT: The Hopper Collection by Mat Smart
•  “Extreme Performance and Installation from China" by Meiling Cheng

 

Issue #30 Winter/Spring 2007 (top)

List of Contents
Issue Number #30

  • Editor's Note John Rouse
  • Beyond the Veil by Sam Trubridge
  • Pilgrim Theatre Research and Performance Collaborative, Laura Harrington, and N (Bonaparte)
    Kermit Dunkelberg
  • SCRIPT: N (Bonaparte)
    Laura Harrington
  • The Poetry of Excess: Nikolai Kolyada in Yekaterinburg
    John Freedman
  • A "Bowler" Eclipse: How an Existential Vaudeville Act Became an American Theatre Phenomenon
    Alex Lewin
  • Michael Thalheimer: Seducing the Audience with Suggestive Images
    Klaus van den Berg
  • Introduction to Culture Clash's Zorro in Hell
    Tony Taccone
  • SCRIPT: Culture Clash's Zorro in Hell
    Culture Clash

Issue #31 Summer/Fall 2007 (top)

List of Contents
Issue Number #31

  • Editor's Note by Adele Edling Shank
  • Rude Mechanicals and Get Your War On by Nicole Estvanik
  • This Geometry of Memory: SITI and Charles Mee's Hotel Cassiopeia by Christopher Berchild
  • Introduction to Madame Killer by Honor Molloy
  • SCRIPT: Madame Killer by Honor Molloy and Diana Kane
  • "One Breath from the Wind of Change" Big Dance Theater's The Other Here by Royd Climenhaga
  • Out of the Mold and Into the Event: Atlanta's Out of Hand Theater by Heather Donahoe LaForge
  • "That Not OK Feeling": Circus Contraption's Grand American Traveling Dime Museum by Michael Chemers
  • Introduction to Voyeurs de Venus by Russ Tutterow
  • SCRIPT: Voyeurs de Venus by Lydia R. Diamond

Issue #32 Winter/Spring 2008 (top)

List of Contents
Issue Number #32

  • Editor's Note by Theodore Shank
  • Dimiter Gotscheff: The Fine Art of Political Spectacle by Kalus van der Berg
  • Dmitry Krymov: Designer's Theatre by John Freedman
  • Introduction to The Unmentionables by Bruce Norris
  • SCRIPT: The Unmentionables by Bruce Norris
  • Transmogrifying Bruno Schulz's Universe: Double Edge Theatre's Republic of Dreams by Megan Shea
  • After the Flood: Resurrecting Prague's Archa Theatre by Christopher L. Berchild
  • SCRIPT: Vodka, Fucking, and Television by Maksym Kurochkin, translated by John J. Hanlon
  • Discovering Delta: A Conversation with Bulgarian Director Petar Todorov by Ellen Orenstein

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